In 2014, the Parisian Sébastien Ricou closed the doors of his Brussels-based gallery for the final time, to devote himself to new projects. One of these led to the opening of a small attic room.
![1612 Peter Downsbrough John Cornu-Attic 04[1]](https://wmimages.bruzz.be/styles/1f8c29ed4efcaed916a7e270e4064aaa5d961eac/bulk_image_upload/1523948455/images%20out%2002/1612%20Peter_Downsbrough_John_Cornu-Attic_04%5B1%5D.jpg?style=W3sianBlZyI6eyJxdWFsaXR5Ijo3MH19LHsicmVzaXplIjp7ImZpdCI6Imluc2lkZSIsIndpZHRoIjoxMjk2LCJoZWlnaHQiOjg2NCwid2l0aG91dEVubGFyZ2VtZW50Ijp0cnVlfX1d&sign=3840d3832f03197b083e3345c4d4a8177b951ef1875194986a966d3be29b516d)
Peter Downsbrough and John Cornu at Attic
On Regentschapsstraat 67 rue de la Régence where – far away from the white cube – in a room animated by wallpaper, stripped walls, and a weathered wooden floor, he created a space to deal with art more intimately.
Roughly two and a half years since the first episode in this new story, Attic is now showing the subtle, poetic, but impactful gestures in space by the Brussels-based American Peter Downsbrough and the Frenchman John Cornu.
> Peter Downsbrough / John Cornu > 26/5, Attic
Read more about: Expo , Best of Brussels , Attic , Peter Downsbrough , John Cornu
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